SUR O NO SUR

About

Sur o No Sur is a three-week summer residency-learning program that brings in a selection of visiting artists to act as guides and facilitators, offering workshops that include writing, conversational & listening practices and hands-on experimentation as well as excursions, artist talks, studio visits and film screenings . 

Each session offers a platform for artistic exchange outside of traditional institutions to question and engage with the form in which we, our work & our world can exist and evolve. The program values and prioritizes the knowledge rooted in our own communities, histories, and territories, offering time for experimental dialogue, learning, and making without defined expectations. 

Sur o No Sur results from years of residency programs that have welcomed participants from vastly different histories, fields, and experiences. We’re grateful to have had the opportunity to learn from and share space with each of these people and are pleased to welcome six previous residents back as visiting artists to facilitate this program in partnership with Pocoapoco.


Sur o No Sur 2025↓

Session One / June 2-21, 2025

Unravel, Repair, Respond: Possibilities for Care & Collectivity

Visiting Artists: Meii Soh, Sam Bennett, Tania Bohórquez

This first session will guide participants to consider new ways of relating to their creative practice by moving from individual reflection to collective action. With a focus on the implications of positionality and our relationships to materiality, the program invites participants to examine the connections between self, community, and environment, fostering practices of care, repair, and collective creation. 

  • Week 1 / June 2-6

    Meii Soh / Myths and their Kins

    Beginning the session with Meii Soh’s “Myths and their Kins,” participants will delve into the myths and stories that shape us. By questioning colonial perspectives on world-making, this first week lays the groundwork for deep reflection on the self within broader cultural and ecological contexts. Through writing, sound, and movement practices participants will be encouraged to shift from an individual mindset to more communal forms of art-making. 

    Week 2 / June 9-13

    Sam Bennett / Acts of Repair + Maintenance - From Object to metaphor

    In the second week, participants explore the concept of repair and maintenance in both tangible and intangible forms based on Sam Bennett’s work and practice. From mending physical objects to addressing broken systems and relationships, this workshop fosters a mindset of care and restoration. Participants will engage with the local environment, observing practices of care around them while creating new objects using existing materials to find solutions to a problem. 

    Week 3 / June 16-20

    Tania Bohórquez / Creative Positionality

    The program concludes with a workshop led by Tania Bohórquez in which participants will critically examine the foundations of their creative impulses, reflect on their position in the world, and explore how their positionality both shapes and is shaped by their artistic voice. By examining their creative motivations and personal contexts, the workshop culminates in a collective activity within the public space, bridging the private act of creation with the shared experience of community.

  • Meii Soh (Portugal/Berlin) is a researcher, performer and writer, whose work examines the intersection of human and non-human storytelling to foster speculative narratives that reimagine agency, love and empathy in times of identity and ecological crisis.They draw from traditional methods, intersecting them with dissociative movement, video-game aesthetics, and digital mediums to offer alternative modes of seeing and knowing.

    Samantha Bennett (New York) is a Brooklyn-based maker, ethnographer, and designer with expertise in the fields of space, materials, and objects. She believes in slow research that minimally impacts our planet and advocates for human and animal well-being. Incredibly curious and filled with questions.

    Tania Bohórquez Salinas (Oaxaca)

Session Two /  July 14-August 3, 2025

Reimagining the Manual: Alternative Frameworks for Creative Practice

Visiting Artists: Adriana Gallardo, Frewuhn, Matt Nelson

This session of Sur o No Sur brings together two distinct yet complementary workshops, each designed to inspire artists and creators to reimagine their practices through innovative frameworks of storytelling, sound, and community engagement.

  • Week One & Two / July 14-25

    Adriana Gallardo & Frewuhn / The Last Story: Tools for Matriarchal-Centered Design

    Offered throughout the first two weeks of the session, The Last Story: Tools for Matriarchal-Centered Design, led by journalist Adriana Gallardo and multidisciplinary performance artist Frewuhn, invites participants to engage with storytelling, ritual, and design to uncover the matriarchal legacies embedded and often ignored in cultural identity. This workshop bridges narratives across cultures by offering tangible tools for artists to incorporate frameworks inspired by memory, matriarchy, and the land into their work. Tools that foster repair, authenticity, and community-centered reimaginings.

    Week Three / July 28- August 1

    Matt Nelson / Unsound Techniques: The Joys of Non-expertise and the Aesthetics of Failure

    During the third week, Matt Nelson will lead the workshop Unsound Techniques: The Joys of Non-expertise and the Aesthetics of Failure, which challenges conventional approaches to technology by encouraging technical non-expertise and hands-on discovery. By embracing open-source tools and bespoke software, the workshop encourages a playful, process-oriented approach to audio creation, transforming sound into a metaphor for broader creative practices. Accessible to artists of all disciplines and experience levels, this workshop redefines the relationship between maker and tool, promoting a more inclusive, exploratory approach to technology in the arts. 

  • Adriana Gallardo (Washington D.C.) Adriana Gallardo is a Mexican writer and journalist who grew up just outside of Chicago. Currently, she’s at NPR where she covers books and edits radio news pieces across beats. She spent many years working on sweeping community-sourced investigative projects centered on women. She’s also traveled the U.S. collecting oral histories. Most recently, she worked on a project collecting and archiving the stories of New Yorkers and the Brooklyn-Queens Expressway. She enjoys publishing and reading great essays.

    Frewuhn (Houston) is a visionary creator whose work, deeply inspired by Black femme literary legends and the transformative power of quantum thinking, delves into themes of freedom, ecology, and the healing of generational trauma. With a multidisciplinary background in Ethnomusicology, Cultural Anthropology, History, and Theological Studies, she merges cultural heritage with contemporary performance art to create immersive, thought-provoking experiences.

    Matt Nelson (Oakland) Matt Nelson is a musician, creative technologist, and middle-school teacher, based in Oakland, California. His work explores the intersection of hardware and software processes through the creation of experimental ambient compositions and bespoke audio apps. To support this practice, he creates opinionated and unpredictable software tools that reward hands-on exploration and discovery. As a teacher, he has shared his playful approach to technology with artists, incarcerated coders, and middle school students. His music has appeared in physical and digital formats on the Maine-based label and press Traced Objects.


  • Sessions run three weeks. In-person guided sessions with visiting artists will be held each morning (more or less 10:30 am-1:30 pm) Monday-Thursday. These practices include, but are not limited to, writing practices, conversational practices, excursions, artist talks, studio visits, films, listening practices. Participants will have the afternoons to work on their own projects and/or respond to the daily practice. We will offer a studio visit with a local artist once per week. Friday mornings are designated for meetings with other participants and the visiting artists. Lunch (the main meal) will be provided Monday - Friday, as well as bread and coffee in the morning. Saturday and Sunday are open.

    For those staying at or through Pocoapoco, arrival is the Sunday prior to the program and departure is the Saturday following the program.

  • The cost of participation in the three week program is offered on sliding scale fees as noted below.

    The program fee includes daily lunch Monday - Friday as well as access to the Pocoapoco house but does not include lodging, transportation, or other personal expenses. Through funding support we are able to offer scholarship fees for all national and local participants as well as a limited number of partial scholarships for international participants. International participants who would like to be considered for a scholarship should acknowledge this on the application form.

    We are happy to provide letters of support to any selected applicants who are requesting external funding to cover the costs of their participation.

    The cost of the program is offered on sliding scale fees as follows:

    International participants: $1300 USD

    National participants (Mexican nationals living in Mexico) : $6000 MXN

    Local participants (Mexican nationals living in Oaxaca) : $1500 MXN

    International scholarship participants: $650 USD (3 scholarships / session)

    A 50% non-refundable deposit is required to confirm participation.

    For more details, download the PDF linked above.

  • We offer various housing options with sliding fees for program participants. For more details, download the PDF linked above.

  • Sur o No Sur is open to participants of all fields, disciplines, locations, and ages (over 21).

    For this program, we require a conversational level of English.

    We welcome 15 participants for each session.



PREVIOUS YEARS

Sur o No Sur 2024 ↓

Session One / June 3-21, 2024 : A Story is Never Just a Story

Visiting Artists: Megan Paulin / E. Medina / Gabriela Ortega

  • During this session participants together with the guiding artists will explore the many ways and resources that can be used to tell a story. By understanding how place and lineage inform the stories we tell, how we can utilize our environment to support those narratives, and the many forms in which these can be shared, the group will question traditional notions of storytelling and together learn new ways of crafting stories that impact the present and future of our communities.

    Week One: Megan Paulin / aadizookewinini = storyteller / June 3-7

    By exploring the themes around Indigenous food sovereignty, self-governance, and our relationship to food through storytelling, we are able to track environmental changes, and at the same time participate in community building, climate change mitigation, and decolonization.

    Through a series of practices that include printmaking, storytelling, and seed saving participants will take part in a series of workshops that allow them to engage in a cross-discipline, line blurring, multi-arts exploration of storytelling, food, and its connection to culture, memory, community-building, and place.

    Week Two: E. Medina / Hidden World/Secret Corner: Nurturing and Expanding Creativity and Craft / June 10-14

    The goal of this week is to repair and reinvigorate the relationship to our own creativity, artistry, and craft. By using field recordings, deep listening, and the sharing of knowledge, participants will undertake a set of exercises that will help introduce joy, discipline, and concentration to their artistic workflow.

    Through personal and collaborative practices using sound and field recordings, the group will learn how to work and incorporate their immediate environment into their work. Participants will also have the opportunity to discuss and share their experiences with impostor syndrome, creative blocks, and how to overcome those insecurities to tell their stories.

    Week Three: Gabriela Ortega / We All Have a Story to Tell, We All Have the Power to Write History/ June 17-21

    During the last week of the session, participants will work with Gabriela to transform and create personal stories and find the right form that fits into their own practice, integrating what was learned in the previous workshops. By decentralizing the book as the main medium where these exist, the group will explore through writing, performance, video, and sound ways to shape and weave together narratives to tell stories from a personal perspective.

  • Megan Paulin (she/her) is an Indigenous artist from Turtle Island (Canada) of Mi'kmaq and Polish descent. She works as a multi-disciplinary artist with a focus on community arts and intergenerational art-making with Indigenous theatre and storytelling, including sounds, movement, projections, and video, as well as large-scale sculpture and puppet making. She also works in academic research around Indigenous methodologies and decolonization in writing and the arts. She is part of an ensemble called Aanmitaagzi (which translates to he/she speaks) that hosts live performative events based on traditional and contemporary Indigenous storytelling. She acts as the lead artist for the installation component, however all members work across disciplines co-creating with Indigenous and non-Indigenous community members of all ages.

    E. Medina (he/him) is a first-generation Mexican-American electronic music composer, educator, and chocolatier. His work uses a combination of field recordings, spoken word, acoustic instrumentation, and analog synthesizers. His work has been featured in various albums, book releases, literary readings, and live painting sessions. He recently performed in an improvised ensemble for the 2023 [RE]Happening Festival at the Black Mountain College Museum + Arts Center. E. is the founder of Voltage Flow, a mobile artist residency that provides participants access and education in the field of modular synthesis. He is also the Head Chocolatier for French Broad Chocolate in Asheville, NC, where he uses his creative exercises for product development, production, and management.

    Gabriela Ortega (she/her) is an award-winning writer/director and actor from the Dominican Republic whose work lives within the intersection of fiction and poetry, aiming to draw cultural bridges that lead to the Caribbean through intersectionality, duality, and ancestral memory. She is a 2023 Sundance screenwriting fellow, a 2022 Sundance interdisciplinary fellow, and a 2022-2023 Academy of Motion Pictures fellow. Her short film Huella was an official selection of the 2022 Sundance Film Festival and is being turned into a feature film after being selected for the 2022 Sundance Producers Lab and the 2023 Sundance Screenwriter’s Lab. Gabriela was named one of Filmmaker Magazine’s 25 New Faces of Independent Film; she won the NBC & Telemundo Best Director award at the 2022 LALIFF and “Best New Filmmaker'' at the annual NFMLA awards. Her latest film, Beautiful, FL will premiere on Disney+ in 2023, and her first film, “PAPI'' is available to stream on HBO and HBO Max.

Session Two / July 1-19, 2024 : Exploring a Collective Narrative, Constructing a Collective Future

Visiting Artists: Rennie Jones / Sheetal Prajapati / Noam Keim

  • The second session focuses on how knowledge is inherited, passed down, and shared, how it’s informed by our collective and individual experiences and the capacity these elements have in helping us shape our futures.

    Week One: Rennie Jones / Creating our Collective Future: Artmaking in the Era of Climate Change / July 1-5

    This session asks: what can art do in the face of climate change? Does artmaking need to be action-oriented?

    Through group discussions, individual sketch sessions, technical hand-building workshops, group field trips, and collective art practices, we will explore the relationship between artmaking and the environment. The session will draw on the themes of Climate Futurism to allow participants to analyze possibilities for collective action and consider their role as artists in imagining a sustainable future.

    Week Two: Sheetal Prajapati / The Meaning in Making / July 8-12

    This week’s practices will focus on how making is a critical part of building and sustaining narratives within families, communities, and ourselves. Participants will approach ritual practices as a form of storytelling, questioning how our past informs our present and what it means to take and offer.

    Thinking of the hand as both a tool and an extension of our own ancestry, this session will explore writing, cooking, craft, and ritual as practices that link the past and present within the participants as makers and as a community of learners together.

    Week Three: Noam Keim / Reclaiming the Archive / July 15-19

    During this week, Noam will guide participants to use what they learned in the previous workshops and integrate it by developing a methodology that melds past and future. By taking Land as the starting point to build personal histories, participants will practice together how to trust their bodies and faded memories and see the gaps as opportunities rather than erasures. Through walks, writing practices, shared readings, and conversations, the group will explore what the unknown can teach us about ourselves.

  • Sheetal Prajapati (she/ her) is an educator, artist and advisor working across the field of art and public engagement. Born in Buffalo, New York, Sheetal is a first-generation Indian American. She is currently an advisor and consultant through her agency Lohar Projects working with artists, art workers and cultural organizations. She served as the transitional Executive Director of Common Field from 2021-2022; the first Director of Public Engagement at Pioneer Works in Red Hook, Brooklyn from 2017-2018 and as the Assistant Director of Learning and Artists Initiatives in the education department of The Museum of Modern Art from 2014-2016. From 2007 to 2010, she served as Director of Educational Programs at the Mary and Leigh Block Museum of Art at Northwestern University and, prior to that, at the Museum of Contemporary Art Chicago (2004-2007) where she redeveloped the family and youth programs division.

    Rennie Jones (they/ them) is a non-binary artist and architect currently based in New York. Their architectural work is focused on urban-scale interventions in climate adaptation and resilience. In their sculptural ceramics practice, they center queer subjectivities to explore the tension between self-identification and the external appearance of the body. Their work challenges the assumed relationship between gender and anatomy and questions how societal standards influence perceived value.

    Noam Keim (they/ them) is a writer, medicine maker, and transformative justice practitioner living on Occupied Lenni-Lenape land currently known as Philadelphia. Noam is a trans-Jewish Arab whose life has been shaped by multiple layers of colonialism and migration. They currently run the Center for Carceral Communities where they weave webs of support and liberation with people impacted by the legal system. Their work is inspired by a deep belief that our collective liberation requires healing our relationship to the land. Noam self-publishes a zine called The Land is Holy in which they explore the threads of colonialism, longing, reverence to the natural world, and trauma healing. Their work has been represented in Dardishi, Al-Bustan Seeds of Culture, Food for Thought, and they are currently working on a collection of essays through Catapult’s Essay Generator program.